Re: You talk about green pillowcases being good to sleep on for the head in your book. Could you suggest colours for bed sheets and good colours for the bedroom?

Adano Ley (Swami Nitty-Grity) advised, “Sleep with your head on a green pillowcase and use a magenta sheet.”

A green pillowcase balances the Brain-Governor Meridian (the ovum part of our brain on the “north” side of the blood-brain barrier).

A magenta sheet balances the Conception Meridian (the sperm part of our brain on the “south” side of the blood-brain barrier).

According to Colonel Dinshah P. Ghadiali (Spectro-Chrome Metry Encyclopedia: Home Training Course in Spectro-Chrome Metry, 1933, 1992) …

The True Triad of Primary Colors is red, green, and violet, and the True Triad of Secondary Colors is yellow, blue, and magenta,

Stanley Burroughs (Healing for the Age of Enlightenment, 1976) wrote …

“Each of the colors work in opposition to each other to balance and create harmony for correct healing. The Magenta and Green have no opposite. They are the fulcrum and effect conditions on both sides of the spectrum.”

Arthur Zajonc (Catching the Light: The Entwined History of Light and Mind, 1993) wrote …

“Only green and magenta are missing if we wish to complete the full color circle. These magically appear by modifying the edge arrangements to form thin bands of light and dark, green appearing in the middle of the white band, and magenta in the black band.”

GREEN …

Green’s wavelength is 520-570 nanometers.

Green is a pituitary stimulant, and Adano noted, “Green is the growing color of pregnancy.”

Adano used green light systemically (exposing the entire body to green) and yellow light locally (exposing specific reproductive reflexes to yellow) to induce pregnancy.

The words green, grass, and grow are etymologically related, but not in the world of bees.

What we see as green is gray to a bee.

Green is an unusual color – it’s created when either (1) red or (2) violet light is removed from white light or when (3) both are removed.

Green sits opposite both red and violet on an artist’s color wheel.

It’s a Yes No Maybe color.

William Campbell Douglass, M.D. (Into the Light: Tomorrow’s Medicine Today, 1993, 1997) wrote …

“At present, we have five substances that will activate the blood at various places on the spectrum, mostly at the ends – blue on one end and red on the other. Green (a neutral, balancing frequency at 500 nm) should be very important for blood irradiation therapy because green is the ‘cleansing frequency.’ Green is an antiseptic, a germicide, and a detergent. It is the governing wave (the normalizer of body functions). It is the division line of the color spectrum with red at one end and violet at the other. So it is the balancer and the best frequency to use when the cause of the problem is in doubt. We are diligently searching for the proper compound, which may be an herb, a vitamin, or even an amino acid, that will activate cells when they are exposed to green light.”

MAGENTA …

Magenta is created by removing lime-green wavelengths from white light.

It’s an extraspectral color – a single wavelength of light can’t create it.

We can’t accept the quantum leap from linear violet back to linear red on the color wheel, so we invented magenta to “close the loop.”

Liz Elliott (“Magenta Ain’t a Colour”) wrote …

“The light spectrum has a colour [magenta] missing because it does not feel the need to ‘close the loop’ in the way that our brains do. We need colour to make sense of the world, but equally we need to make sense of colour, even if that means taking opposite ends of the spectrum and bringing them together.”

Arthur T. Winfree, “Filaments of Nothingness,” The Sciences, Mar.-Apr. 1986) wrote …

“There is something circular about time. Consider the dial of a watch or the face of a clock. A clock’s face is traditionally round because it is convenient to measure time in circular periodic fashion; because, that is, we live on a revolving planet and each of us traces a circle in space every day. Not only days recur cyclically, but seasons too, because of the bigger cycle traced by Earth’s orbit around the Sun. The solar system and this tilted top spinning within it constitute a gargantuan piece of machinery. Just as with any other piece of rotating machinery, progress through its repetitive cycle is measured as the phase of the circle. This one-to-one correspondence between time and points on a circle is visually direct in clocks with old-fashioned faces and hands, though not in their modern digital counterparts. A less familiar but equivalent analogue for cyclic time is color. Like a circle, the artist’s color wheel returns to its point of origin. Its hues range smoothly from red through orange, yellow, green, blue, violet, and purple, then back to red without ever backtracking or jumping even the most subtle gradation. The rim of a clockface could be so colored, and hue, rather than position, could be used to denote time.”

(Indeed, the clockface is colored on the eight petals of the Solar Nutrition Clock.)

Magenta, according to Adano, has a “vitamin A resonance” and is an “aura builder.”

He said, “Magenta will work the same as the energy sensor [the ‘flat pyramid’ devised by Pat Flanagan] or a sundial seashell.”

BEDROOM COLORS …

Adano named pink and orange as the “best bedroom colors.”

Other “favorable bedroom colors” are “pink and violet, and a little white or gold or blue.”

He advised, “An ideal bedroom has twelve different colors, mirrors, and a waterbed.”

Bedroom colors can be modified with pheromones and/or essential oils.

Piet Vroon, Anton van Amerongen, & Hans de Vries (Smell:The Secret Seducer, 1994, 1997) wrote …

“It has been shown that the perceived intensity of a smell increases if the odorant (in a bottle) is given a color. This phenomenon also occurs if one adds unusual and non-matching colors: red to the smell of lemons, green to the smell of strawberries. In this experiment the test subjects are generally not aware that there is such an interaction between smells and colors, and they are surprised to learn that the colorless mixture of smell is just as strong as the colored one. Some refuse to believe this, maintaining that the researchers have made a mistake. This can be called an example of ‘perceptual anticipation’ of the olfactory impression evoked by a color. We may reason in our unconscious that things that are colorless will also be odorless and tasteless; moreover, it may be that senses have a directly reinforcing effect on each other. This latter is called ‘intermodal interaction.'”

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